Ana María Millán’s work addresses the politics of animation and fiction in relation to digital cultures and subcultures, violence, gender, and political propaganda. She has developed techniques based on traditional role-playing games to create similar dynamics that result in films and animations. She explores topics such as amateur culture, pop culture, sound territories, and technology, incorporating the possibility of errors in rehearsals. Her work has been shown at the 13th Gwangju Biennale (2021); Art Encounters Biennial, Timișoara (2019); Ana María Millán, A Solo Exhibition, Kunstinstituut Melly, Rotterdam (2017); Immortality for All, Savvy Contemporary, Berlin (2016); Frío en Colombia, Archivo General de la Nación, Bogotá (2015); Auto-Kino! presented by Phil Collins, Temporäre Kunsthalle, Berlin (2009); and I Still Believe in Miracles—Part I and II, Musée d’Art Moderne de la Ville de Paris (2005).